Wednesday, May 31, 2023

"everything up to that point had been left unresolved"

 


currently on Amazon Prime:

Ordinary People


on Netflix:

Spycraft

The Hollywood Masters


The Hollywood Masters is a series of interviews with people in the movie business.  The first one is with Jake Gyllenhaal -- that one was making me lose interest -- I almost turned off the series, but instead I forwarded to the next installment, and after that each interview was interesting -- to me, anyway.  Michael Caine...Oliver Stone....


Ordinary People is a film that came out in 1980, starring Mary Tyler Moore, Donald Sutherland, Timothy Hutton, and Judd Hirsch.

        I started to describe it as a "sad movie" but then I thought, Well, not exactly -- it's a story of a family where something tragic occurred, and then how the mom and dad and son work through it and learn how to live, and keep going.  It explores people's individual possibilities and limitations.


I didn't see Ordinary People when it came out -- at that time I wasn't in the mood for a serious drama about sad stuff, or to see Mary Tyler Moore in a show that wasn't light-hearted and funny.  She really played "against type" in this.

        Robert Redford directed.


This time -- I was glad I watched it.  Beautiful-looking movie, colors and exteriors.  And such good acting, direction, everything. 

 

        The kid's swim-team coach was a jerk.


-30-

Tuesday, May 30, 2023

cacerolazo

 

the Lincoln Memorial


♫♫ ♪

In your heart, I see the star of every night and every day

In your eyes, I get lost, I get washed away

Just as long as I'm here in your arms

I could be in no better place --


You're simply the best! ...


[May 30, 2023 - Town & Country] -------------- King Charles, King of the United Kingdom, honored Tina Turner, the Queen of Rock 'n' Roll, with a tribute at Buckingham Palace this past weekend.  King Charles allowed the Band of the Welsh Guards to perform "The Best" by Turner during the changing of the guard in front of the Palace on Friday.

...King Charles met Turner in 1986, when she was part of the Prince's Trust concert at Wembley Stadium.

_________________________


I saw some of that 1986 concert on TV, maybe on VH-1.  Tina Turner, Eric Clapton, Paul McCartney.  You could see the Prince and Princess of Wales in the audience.

-----------------------------------


Last week we took note of the Saucepan Protests in France, and President Macron's weak response -- a day or two later I remembered that even Nixon went down to the Lincoln Memorial in the middle of the night and had some dialogue with protesters - May 9, 1970.


President Macron needs to take some vitamins.


-30-

Monday, May 29, 2023

day of the hat bee

 

Federico Castelluccio as Furio Giunta in The Sopranos


EXT.  Golf course - Day


Dr. John Kennedy, in golfing attire including a billed cap, is swinging his golf club -- practice swings -- near the ball.

In the background, down the fairway, are three other men.

The doctor calls out, "Watch and learn, Phil!  Watch and learn."


A golf cart speeds purringly out from some foliage nearby and heads toward Dr. Kennedy.  Driving the cart is Furio -- Tony Soprano is in the passenger seat, holding a golf club adorned with a bright red ribbon.

Dr. Kennedy is focused on his swing, and doesn't pay attention to the approaching mini-vehicle until Furio almost plows into him -- the doctor backs up out of the way just in time.


DR. KENNEDY

What are you doing?


TONY

Hey Doc, it's me, Tony.  Corrado Soprano's nephew.


DR. K

You belong to this club?


TONY

Me?  Oh no no no no -- I came here to see you!


Dr. K

Well, if it's about your uncle, you'll have to call my office.


TONY

Well, you might need a new secretary, I don't think you're gettin' all your messages.


(There is a pause.  The doctor stares at Tony, who stares back.)


TONY

(looks at the golf club in his hands as if he has just remembered it's there)

Oh! -- For you.  Titanium.  I use one.  Added ten yards to my drives.


DR. KENNEDY

Thanks.  But I really can't accept it.


TONY

(cheerfully)

For everything you've done for my uncle.


(Another pause.  They watch each other.)


TONY 

(continuing)

Anyway, what am I gonna do with it?  I already got one and (he glances at Furio) Mistah Williams here -- he don't play.  

(turns to look at Furio again)

Right?


FURIO

(looking straight at Dr. Kennedy and speaking with emphasis)

Stupid-ah focking game.


(Tony shrugs -- still holding the be-ribboned titanium golf club out toward the doctor.)


TONY

What can I do with it?


Dr. Kennedy's three companions are still at a distance on the green.  One of them calls out:

What is it, Jack?


Tony calls back to the guy with a faux-friendly tone:

He'll just be a minute!


The one golfer takes a couple of steps forward, as if to walk over and join Dr. Kennedy to see what's up.

The doctor puts up a hand, palm toward his friends, and nods his head, to indicate it's OK.  His friend sees this, and stops walking.


Tony holds out the golf club, pushing it toward the doctor, who reluctantly takes it, saying,

Well I could use a little extra --


TONY

Who couldn't?

        He steps forward.

        The doctor steps back.  There's a little lake -- or, "water hazard" -- behind him.


Tony and Furio both walk forward a couple of steps so they are real close to Dr. Kennedy.


TONY

You know, my uncle -- he's not feelin' so well.  He's got a bad reaction to that chemo.


Dr. K

That happens all the time.  There's nothing that I can really do.


FURIO

You know, there's worse things that can happen to a pare-sohn than cahn-cer.


TONY

My uncle thinks he's going to die.  He's convinced of it.


Dr. K nods his head slightly, several times.


TONY (continues)

You know how old people are, with their superstitions -- he thinks -- it's 'cuz he went against you.


Furio and Tony take a couple more steps forward, the doctor takes a couple of steps backward, and steps in the water with one foot.  He gets this sort of bored, aggravated look on his face, as if stepping in shallow water with one foot is the worst thing that has ever happened to him in his life.

        He says, "I'm just the surgeon, that's all."


Tony gives a slight nod.


FURIO

You got a bee on-ah you hat.


He knocks the doctor's cap off his head; it lands in the water.


TONY

Show that man the respect he deserves.  Answer his phone calls.


The doctor thinks a few seconds, watching Tony and Furio.  Then he takes a device out of his pocket, presses a button and speaks into it:  "Cheryl, make sure Mr. Soprano is scheduled for T -- "


Tony slaps the device out of the doctor's hand, and it lands in the water.


TONY

Just remember it.


Furio and Tony turn their backs on the doctor and get into the golf cart and drive away.

____________________________________


-30-

Friday, May 26, 2023

river deep, mountain high

 


more than 4,000 people in Birdsville set a world record for the biggest Nutbush City Limits dance
~ The Canberra Times

I was going to make a list of my top favorite songs of Tina Turner's -- The New York Times made a list, also.


New York Times list:


A Fool in Love

I Idolize You

It's Gonna Work Out Fine

River Deep -- Mountain High

Proud Mary

Nutbush City Limits

The Acid Queen

What's Love Got To Do With It

Better Be Good to Me

We Don't Need Another Hero (Thunderdome)

The Best



my list:


Proud Mary  (the Ike and Tina Turner Revue version)

Proud Mary  (the Tina Turner version, 1977 - the 2000s)

Fool In Love

I Don't Want to Fight

River Deep -- Mountain High

Nutbush City Limits

What's Love Got to Do With It

Better Be Good to Me

Twenty-Four Seven



an insert in the article said,

Remembered With a Dance:

As news of her death reached Australia, people all over the country paid tribute to the star by doing the Nutbush, a popular dance set to Turner's song "Nutbush City Limits."

        (I'm going to look for videos of this on You Tube.)


"Nutbush City Limits" -- Tina wrote that one, and I thought it was so interesting that Bob Seger recorded a cover version of this song.

-----------------------------------------------------


-30-

Thursday, May 25, 2023

36 cents and a Mobil card

 


That's what Tina Turner had when she escaped her abusive husband in Dallas, in July 1976:  thirty-six cents and a Mobil card.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


2 Reader Comments under NYT's Tina story yesterday:


Abraham Genack

Ashland Oregon

I had the good fortune to see Tina Turner perform at a small nightclub in San Francisco in 1966.  I had been a fan of hers since the early 60s.  Seeing her in that intimate setting was a profound experience.  The mixture of power and vulnerability still resonates within me when I recall that evening.  Condolences to all of us on our loss.


Gerald 

Connecticut

In the 80s, one of my gen-X work friends who knew my taste in music recommended to me this new singer, Tina Turner, who had just come out with her new album, Private Dancer.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


HBO did a documentary in 2021 -- Tina.  It's on Amazon -- you can rent it or buy it, and stream it on their site.


Another Reader Comment in the Times said he had seen Tina performing at an L.A. nightclub in the '60s -- she sang "Land of One Thousand Dances" and Janis Joplin came out from backstage and joined her!

        Going to have to find that on You Tube.

____________________________

-----------------------------------------


On Netflix now:  a limited series titled "Working:  What We Do All Day."  One lady speaks about her job working at a New York luxury hotel -- she takes phone calls from guests and one of the rules is, she is never allowed to say "No" to any request.

        Now that doesn't mean every request gets fulfilled, to the letter of what the person asked -- but she just has to give an answer of what they can do for the guest, and the answer cannot include a direct "no."


        Haha -- that reminded me of a Lobbyist Axiom.  Lobbyists at the state legislature have a list of "axioms" that's posted in the Senate Lobby.  It's been compiled over the years.  They're not literal axioms like you would have in mathematics, or academia -- they're funny and ironic, based upon experience and observations.  One of them says:  "Remember, around here there are 101 ways to say "No" that sound like "Yes."


-30-

Wednesday, May 24, 2023

not far

 ♫

...On Highway Number Nineteen

The people keep the city clean

They call it Nutbush -- Nutbush city limits...



Tina Turner

November 26, 1939 - May 24, 2023

_______________________________


[excerpt from interview with Tina Turner in the January-February 2021 issue of Harvard Business Review] ----------------------

Of all the awards you've won, which have meant the most and why?

        When I was going through some of the hardest times in my life as a solo artist, some of my jazz friends, Wayne Shorter and Herbie Hancock and their families, took in me and my sons and helped me get back on my feet.  

We would sometimes chant together for several hours, and I would dream about a future in which we'd all be happy and successful.  

        So winning the Grammy for album of the year for River: The Joni Letters with Herbie and Wayne was very sweet.



What advice would you give to young people making their way up in creative fields today?

        Stay true to yourself, work hard, and be reliable.  Taking the road less traveled is often harder but well worth it.  And no matter what, never give up.


        ...I have always felt connected to Switzerland...  It is an especially spiritual place.  It's hard to describe, but the natural environment here embraces me with a loving energy that comes from both outside me and within.  Where I live by Lake Zurich is not far from pastures that remind me of Nutbush, which is another reason I've always liked Switzerland.


        My retirement has given me more time to relax and reflect.  It offered an opportunity to pursue something I'd wanted to do for decades:  write a book about my spiritual journey.  This time in my life has also given me more time to read, to support the interfaith Beyond Music project, and to spend time just being.

Lake Zurich



-30-

Tuesday, May 23, 2023

way you wear those dresses

 



Big Joe Turner




♪ ♪ ♫

Get outta that bed, wash your face and hands

Get outta that bed, wash your face and hands

Get into that kitchen, make some noise with the pots and pans


I said shake, rattle, and roll

Shake, rattle and roll

Shake, rattle and roll

Shake, rattle and roll

Well, you won't do right -- to save your doggone soul...


Written in 1954 by Jesse Stone, the song "Shake, Rattle and Roll" was recorded by Big Joe Turner in New York City and released as a single in April of that year.  It reached number one on the U.S. Billboard R & B chart, and number 22 on the Billboard singles chart.

        It is included in Rolling Stone magazine's list of The 500 Greatest Songs of All Time.


When I read about those crazy pot-banging protests going on in France, I was reminded of this song.


If you go on You Tube you can play it -- the best recordings of it are --

+  the one by Big Joe Turner, and

+  the one by Bill Haley and The Comets.


(Dancing necessary.)


        Listening to different videos of this song, I noticed the lyrics are changed sometimes.  In one version, Turner sings, "you make me roll my eyes and grit my teeth!"    (LOL)

----------------------------------------------------

-30-

Monday, May 22, 2023

shake, rattle, and roll

 





The New York Times

The Sound of France's Pension Fury?

The Saucepan.

Protesters have been harassing the French government in clanky demonstrations that have gone viral in a country with no shortage of kitchenware.


by Constant Méheut

Reporting from Paris and La Cluse-et-Mijoux, a town in eastern France

May 22, 2023


Spreading across a highway so that no cars could pass, 100 or so protesters banged saucepans in a deafening racket that echoed through a remote valley outside the town of La-Cluse-et-Kijoux in eastern France last month.  They were marching toward a nearby castle where the French president was due to arrive, determined to stand in his way and create cacophony around the visit.


Suddenly, a helicopter carrying President Emmanuel Macron appeared overhead, the sound of its blades briefly drowning out the din.  Although the boisterous demonstrators didn't stop the French leader's visit, the scene was an earsplitting reminder of the fury that has dogged his government since it enacted a highly unpopular pension overhaul this spring that raised the legal age of retirement to 64 from 62.


For weeks, opponents of the change have been harassing Mr. Macron and his cabinet members by banging pots and pans on their official trips.  In a country with no shortage of kitchenware, the protests, known as "casserolades," after the French word for saucepan, have disrupted or stopped dozens of visits by ministers [government officials] to schools and factories.


Like the "yellow vest" protest movement of 2018-19 that began over fuel prices and then expanded to include multiple grievances, the pan beating has also become the symbol of a broader discontent in France after months of large street demonstrations failed to push the government to back down on the pension changes.


"The desire to deafen and respond with noise reflects a kind of discredit of the political discourse," Christian Salmon, a French essayist and columnist for the online publication Slate, said in an interview.  "We are not being listened to, we are not being heard after weeks of protests.  So now we are left with a single option, which is not to listen to you either."



Mr. Macron's decision to raise the legal age of retirement is based on his conviction that the country's current pension system, which is based on payroll taxes, is financially unsustainable.  Because retirees supported by active workers are living longer, people must also work longer, he says.


The pension law was pushed through using a constitutional provision that avoided a full parliamentary vote.  Mr. Macron defended the move in a televised interview on Monday as an act of responsibility, noting that key government decisions in the past, such as building France's nuclear-weapons force, had used the same mechanism.


The casserolades began a month ago during a televised speech by Mr. Macron that was intended as a way to move on from the pension upheaval.  Determined to keep up the fight, protesters gathered outside City Halls across France to bang pots and pans.  In Paris, many residents joined in from their apartment windows, filling entire neighborhoods with metallic notes.



The culinary battle cry spread fast.  Before long, members of the government were greeted by a cookware cacophony on official trips across the country.


"We want to show them that we're not giving up the fight," said Nicole Draganovic, a protester who was banging a saucepan on the highway at La Cluse-et-Mijoux in eastern France last month.


Around her, amid the red flags of labor unions, were the sounds of myriad utensils from a typical French kitchen:  sieves, lids and frying pans banged in rhythm with metal and wooden spoons.  Demonstrators without pots were clanging on metal fences that lined the highway.  "It's like a symphony," Ms. Draganovic said.


Several people involved in the weeks of protests said the main message was anger over the government's decision to push through the pension overhaul without the support of a majority of voters or of labor unions.


"It's a total denial of democracy," said Stéphanie Allume, 55, who was bashing a stainless-steel saucepan during a May Day demonstration in Paris.  "When it's no longer possible to dialogue with our government, we drown out their voices with the  noise of our pots."


The casserolades -- the latest stage of a protest movement that began with peaceful marches that drew millions into the streets and then spawned some "wild protests" marked by heavy vandalism -- also reflect a centuries-long protest tradition in France.


Pan beating dates back to the Middle Ages in a custom called "charivari," that was intended to shame ill-matched couples, according to Emmanuel Fureix, a historian at University Paris-Est Créteil.  The tradition then took a political turn in the 1830s, under King Louis Philippe I, with people banging pots and pans at night under the windows of judges' and politicians' homes to demand greater freedoms.


Those saucepans, Mr. Fureix said, were "an everyday object, an instrument that embodied the voice of the people" at a time of poor political representation -- a theme echoed in today's casserolades.  "The revival of gestures that belonged to an undemocratic age, the 19th century, is precisely the symptom of a democratic crisis," he said.



Mr. Macron has been visibly annoyed by the pan beating, saying that "it's not saucepans that will make France move forward" -- to which Cristel, the French cookware manufacturer, responded on Twitter:  "Monsieur le Président, at @cristelfrance we make saucepans that take France forward!!!"


The French leader has also strongly rejected the idea that the country has reached a democratic crisis, noting that the pension law was adopted in accordance with the country's Constitution.  In the televised interview on Monday, he tried to move past the contentious reform by announcing tax cuts valued at 2 billion euros, about $2.2 billion, for the middle class before the end of his term.


"The country is moving forward," Mr. Macron said.


But unions have called for another nationwide day of protest early next month, and the government's response to the casserolades speaks to the unease.


Many government ministers now announce their travel plans at the last minute for fear of being surprised by saucepan bangers.  And the police have used antiterrorism laws to ban several protests and, on one occasion, confiscated demonstrators' pots after the local authorities banned "the use of portable sound devices."


Mr. Fureix said that the government had been "trapped" by the casserolades, just like Louis Philippe I in his time.


"If they repress, they make a fool of themselves," he said.  "That's the case today, as it was in the 19th century when trials were transformed into political platforms for opponents.  If they do nothing, the phenomenon grows."


And grow it has.


A website created by a union of tech workers now ranks French regions for casserolades based on the level of cacophony and the importance of the affected government official.  At a recent protest in Paris, demonstrators held up a giant pot and spoon made of cardboard, instantly providing the surrounding crowds with a mascot to rally around.


The ubiquity of the pots and pans has been such that Mr. Salmon, the essayist, drew a parallel to the "yellow vest" protests.  Both, he said, are objects "on which everyone can project their own meanings" and demands.


At the May Day protest, Ms. Allume said she saw wide-ranging significance behind the saucepans, including the struggle to put food on the table and the desire to voice one's anger.  She said that her own pot that she was banging had once been used to cook pasta and then to melt depilatory wax.


"It has had several lives, and now it ends up in a protest," she said.

[end / NYT story]

----------------------------------------------------


"Mr. Macron has been visibly annoyed" ... Well, people have the right to protest, and they are not hitting him with the pots and pans, or throwing them at him or at his government appointees ... He could use the protests as an opportunity to speak with, and listen to, the people.  To whine (or -- show annoyance) about protests makes him look like a bit of a sissy. 


"Wah!  People have their own opinions and they are not the same as mine!  Wah!  I am president - me!  Waaaah!"

        Maybe someone should call him a "wahmbulance."


-30-

Thursday, May 18, 2023

you may call me Zimmy

 


The selection of songs in The Sopranos is excellent.  I think the music was chosen by the show's writer and producer, David Chase (who was born David Henry DeCesare).


In one scene the song playing behind it is "Gotta Serve Somebody," by Bob Dylan (Robert Allen Zimmerman).


♫ ♫ ♪

You may be an ambassador to England or France

You may like to gamble, you might like to dance

You may be the heavyweight champion of the world

You may be a socialite with a long string of pearls



But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



You might be a rock 'n' roll addict prancing on the stage

You might have drugs at your command, women in a cage

You may be a businessman or some high-degree thief

They may call you Doctor or they may call you Chief



But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



You may be a state trooper, you might be a young Turk

You may be the head of some big TV network

You may be rich or poor, you may be blind or lame

You may be living in another country under another name



But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



You may be a construction worker working on a home

You may be living in a mansion or you might live in a dome

You might own guns and you might even own tanks

You might be somebody's landlord, you might even own banks



But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



You may be a preacher with your spiritual pride

You may be a city councilman taking bribes on the side

You may be workin' in a barbershop, you may know how to cut hair

You may be somebody's mistress, may be somebody's heir



But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



Might like to wear cotton, might like to wear silk

Might like to drink whiskey, might like to drink milk

You might like to eat caviar, you might like to eat bread

You may be sleeping on the floor, sleeping in a king-sized bed



But you're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



You may call me Terry, you may call me Timmy

You may call me Bobby, you may call me Zimmy

You may call me R.J., you may call me Ray

You may call me anything but no matter what you say



You're gonna have to serve somebody, yes indeed

You're gonna have to serve somebody

Well, it may be the devil or it may be the Lord

But you're gonna have to serve somebody



Copyright 1979 by Special Rider Music

_________________________________


-30-

Wednesday, May 17, 2023

don't say yes until I finish talking

 

Anne Bancroft in The Graduate



Darryl F. Zanuck   (1902 - 1979)

American film producer and studio executive


Now, see -- just last week on May 10th we were discussing how entertainers in the Depression - World War II generation many times changed their names to something non-ethnic-sounding...Smith, Jones, Bennett, Martin....Dino Paul Crocetti became Dean Martin, for example.


Watching The Graduate recently on Amazon Prime, decided to quick-click on Anne Bancroft, who played Mrs. Robinson -- she was born Anna Maria Louisa Italiano.

        [Wikipedia] -- "At Darryl Zanuck's insistence, she chose the less Mediterranean surname of Bancroft."


"Less Mediterranean."  Good grief.

        Now, in the modern era -- when The Sopranos was on HBO, 1999 - 2007, the cast was dominated by actors with "Mediterranean surnames."  People weren't changing to Smith or Jones.

James Gandolfini

Michael Imperioli

Lorraine Bracco

Tony Sirico

Drea de Matteo

Edie Falco

Dominic Chianese

Joe Pantoliano

Vincent Pastore

Vincent Curatola

Frank Vincent

John Ventimiglia

Sharon Angela

Aida Turturro

Federico Castelluccio...


        Times change.

__________________________________


-30-

Tuesday, May 16, 2023

who would do such a thing?!

 


Some details in movies or TV shows don't match up to how we would do things in life, and one realizes it's probably because it's more important for the filmmakers to tell the story, than to get every small thing the way it would be if we were really doing it.


However, the ones I can't help noticing are --

+  when people enter a house or apartment and do not close the door behind them

+  when a person is driving a car and they don't keep their eyes on the road and surrounding traffic.


The car one:  the driver of the car is conversing with a person in the passenger seat, and he looks at the person he's talking to, while still driving forward.

        Don't keep the car moving forward if you are not watching forward... is the way I feel about it.

        But someone filming the sequence feels it serves the story or drama best if the people look at each other when they're conversing.  The audience can see facial expressions and reactions...


I find myself thinking, "Watch the road!"


There's an episode of The Sopranos where the character Vito is driving a car on a country road.  Trees all around, with bare branches; snow on the ground.  

        Music is on in the car:  Frank Sinatra singing "My Way."  

        Vito takes out a square-shaped bottle of hard liquor and has a rather long drink, while taking a curve in the road -- he looks out of the passenger-side window as if contemplating the landscape, and crashes into the back of a vehicle that's parked right on the road by a mailbox.


("Watch the road!!")


The driver of the parked vehicle is standing there.  Startled, he backs up several steps.


VITO

Fuck!


He tries to back up, pulling and dragging on the other car, as the two vehicles are now partially enmeshed.


The driver of the other car, a tall, slim New Englander, starts yelling:


"Whoa!  Whoa!  Whoa-whoa-whoa!"


Vito gets out of his car, looking extremely frustrated.  (This is one more thing....)


NEW ENGLAND GUY

Jesus!  Are you all right?


VITO

The fuck you doin' parked out here?


NEW ENGLAND GUY

Excuse me?  I'm getting my mail.  You're driving like a maniac.

(He looks past Vito, into the car)

My God.  How come your airbag didn't go off?


VITO

Somebody took it out.  They sold it.


NEW ENGLAND

Sold it?  Who would do such a thing?


VITO

Look.  I'm really sorry.  I was in a rush.


NEW ENGLAND

So you admit it was your fault.


VITO

Yeah.  Absolutely.  Let me get the damages here, and I'll be on my way.


NEW ENGLAND

Rmmmh -- we should file a police report.  You got a phone?


VITO

No, seriously.  What do you say, 500 bucks?

(pause)

Look.  I took the worst of it.


NEW ENGLAND

And then you call your insurance on me?  No thank you.


VITO

I'm not gonna do that!  Six?


NEW ENGLAND

Look.  I don't want an ah - gument here.  My place is just up the drive, there.  We'll call the police -- they'll come right out.


Vito nods reluctantly -- turns back toward his car, dejected, defeated, weary.


NEW ENGLAND

Turn on your hazards.


VITO

Let me get my registration.


The citizen starts walking.  Vito reaches into his car, then shuts the car door, and looks around with a thorough, wary glance.


MEDIUM SHOT:  The New Englander walking.  We see him from the back, Vito's point of view.


MEDIUM SHOT:  We  see the citizen walking from the front -- coming towards us.  We see Vito walking behind him, a jacket clutched in one hand.

        With the other hand Vito takes the jacket, lifts it away, and in the hand that previously was holding the jacket, is a handgun.


Vito raises the gun and shoots the guy in the back of the head.  The guy falls dead.


NEXT SHOT:  Vito is back in his car -- driving back and forward to try and unhook from the other car; after several back-and-forths, he succeeds and drives away in a flurry of impatient obscenities.

____________________________


(You Tube video titled

Les Sopranos Accident Vito

uploader / channel:  Roronoa_D_Law)


comments


Will Eccleston

I've always found Vito's meltdown as he drove away hilarious.


------------- Moral of the story if someone crashes into you and offers you money just take it


--------- Yeah better to get paid out than whacked


------------ My brother in law did that once, they tore his bumper off but gave him like $200.  Vito offered $600 in the end.  I'd be suspicious if someone offered me that much and I'd take it.


---------- Especially if he has a thick New York / Jersey accent, is vaguely Italian-looking, smells of liquor, and his airbags didn't go off.


--------- Or park in your drive then get the mail


-------------- Especially when they smell like booze and are mobbed up.


------------- Not only that, but the reason the airbag didn't go off is because he sold it.  I mean, how many more red flags did this guy need?


Francisco Vega

Especially if there are no witnesses in the middle of nowhere and the guy tells you someone sold the air bag.


-------- I think it also has to do with the fact that airbags are now a standard feature on any car & back in the day they weren't necessarily going to come pre-installed.

        Either way, the airbag thing was the biggest and brightest red flag that the guy missed


Patrick Bateman

"Turn on your hazards."  Said the guy who was just parked in the middle of the road without his hazards on.


Hayden G3

This is rural New Hampshire.  Vito was probably the first guy that dude saw on that road in half an hour.  Rarely does anyone bother to put on hazards when pulling over for a second like this


Abraham Lincoln

This show gave me a life lesson.  Don't call the police and just accept the money.


_____________________


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Thursday, May 11, 2023

the feel of the air

 

the 1956 Desoto Firedome



Three days ago The Washington Post had an article about Alfred Hitchcock's movie, Vertigo (1958).


reader comments:


//   As far as I'm concerned, this movie is one of Hitchcock's masterpieces---rich with imagery, lush with music, and steeped in suspense.



//   "those maddeningly aimless driving scenes around San Francisco"

                Are you crazy?  That's why I've watched and rewatched this amazing movie so many times.  Every driving scene is a work of art, as are the real vintage cars in every scene.  I strained to read what kind of car Scotty was driving until I found it:  the DeSoto Firedome.  

So beautiful, so poetic, so true to the times.  


        Scotty's apartment is classic mid-century modern, a style never to be seen again.  This is the greatest homage to San Francisco ever made and is made even more poignant by the city's great troubles of today.  

The graveyard scene at Mission Dolores was so eerie that I just had to visit when I went to the city.  

Somehow, Hitchcock even captured the feel of the air, which distinguishes the Bay Area from any other area.  


        As a great artist, Hitchcock emulated the paintings of the surrealist de Chirico, one of the great portrayers of mood, shadow and angles.  "Masterpiece" does not quite capture this amazing film.



//   The film was unsettling partly because it was released at a time of geographic and cultural change.  The Dodgers and Giants had just moved to California and statehood for Alaska and Hawaii was on the horizon.  

The familiar and contained comforts of the 48-star flag and continental sporting primacy extending west only as far as St. Louis were being blown up, and Hitchcock was burning Mission motifs and Spanish tile roofs into viewers' brains.  

        Folks in the eastern U.S. must have been wondering what would happen next in that changing and foreboding part of the country with a quality of light all its own.  

The answer being:  nothing that should concern you.  Save your worries.  Castro's coming.


//   Hitch really captured the eerieness of mid-century Northern California in movies like Vertigo, The Birds and Shadow of a Doubt.


//   Rear Window is the movie that made me fall in love with Hitchcock, and since then I've found many other films of his---many great ones---to love, but Vertigo remains his most mysterious, unsettling, and beautiful.  

Not everything about the characters' behavior makes sense, some film techniques are jarring, the color choices are bold and often unnatural, but that's kind of the point.  

I find something new in this movie every time I watch it.  Definitely one of the greatest films ever made.


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Wednesday, May 10, 2023

irresistible movies

 

Witness

Notorious


on Netflix now:

Airport

On Wikipedia it says this movie came out in 1970, on Netflix it says 1969.  Either way, same film -- it has Burt Lancaster (Sweet Smell of Success) and Dean Martin in it.

        Dean Martin was born in Steubenville, Ohio.  (pronounced stoob-en-ville)  He would show up in our television, on variety shows -- his own and others -- and my dad said, a couple of different times:  "That's not his real name."


        Dino Paul Crocetti is the name "The King of Cool" was born with.  Today, performers are more likely to keep their own name, though some might still change it, for easier recognizability.  Back in their generation, though, it was more a trend of people in show business being advised, by their agents sometimes, to go by a name that sounded more Anglo Saxon -- for assimilation, I guess.  Everyone was going to be Smith, Jones, Bennett, or Martin.


Steubenville is a town that I don't think I've ever been to, although I lived in Ohio.  But the towns where I lived were like 90 miles away from Steubenville.  I would hear the name of that town on TV -- one of the local stations was there -- the announcer's voice would say the letters and then boom, "in -- Steubenville!" with that firm, repetitive confidence.


Later on in life when I heard of Steuben glass, I thought of Steubenville.  But it's unrelated, Steuben glass came from Corning, New York....


on Amazon Prime now:

Witness  (1985, Harrison Ford)

The Graduate  (1967, Dustin Hoffman)


The Graduate is woven around fantastic songs by Simon & Garfunkel.


Witness is a beautiful film -- extremely visual, and the tense suspense toward the end gets me worried and freaked out every time I watch it, even though I've seen it before and know what's going to happen!  

        Woody Allen spoke of having that feeling every time he watches Hitchcock's Notorious -- that last scene when Cary Grant is trying to escape with Ingrid Bergman makes him nervous, even though he's seen it many times before and knows the ending.



Steubenville

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