Friday, August 28, 2026

what a way to make a living

 In videos and articles about Dolly Parton's life, a story is told where Elvis Presley wanted to record "I Will Always Love You" but when his manager, "Colonel" Tom Parker met with Dolly, he said, Well the way it always is:  any song Elvis records, he has to have the publishing rights to it.

Dolly was happy that Elvis wanted to record her song, and she was enthusiastic about the idea, but when the ol' colonel tried to scam her like that, she had to say No.


        One narrator stated that Dolly Parton's father was very "business-savvy," even though he was illiterate.  "He knew exactly how business worked, and you can tell how Dolly picked up on that...."

She kept her song publishing rights, and got paid.

(If she didn't make sure she got properly paid, she wouldn't have been able to make the substantial charitable contributions that she did.)


        When Queen Elizabeth passed away people said, "She's just always been there."  

        That's how Dolly Parton is for a lot of us, I think.  Part of our lives - just always there.  On our televisions, on our movie screens, on our radio waves, on our records and music CDs; putting books in people's mailboxes. ...



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Thursday, August 27, 2026

I could sing with Bob

 You Tube's "cup runneth over" with Dolly Parton videos:  songs, interviews, documentaries, podcasts, random conversations.

The consensus seems to be:  "everybody loves Dolly Parton."

        In one interview, the host got her talking about duets:  she loved singing with Kenny Rogers, of course, and also they discussed other artists' songs that Dolly has covered.

Go on You Tube and type in

Dolly Parton - Don't Think Twice

and Play!


        It's a Bob Dylan song.

        The guy asks her if she would like to sing a duet with Dylan.

She answered, "I could sing with Bob."



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Wednesday, August 26, 2026

...gonna be all right

 "Light Of A Clear Blue Morning"

a Dolly Parton song to listen to

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Tuesday, August 25, 2026

there's a better life, and you think about it don't you

 "She was one of the  most unifying forces in American culture."

That's what a news announcer said a few hours ago, about Dolly Parton.


 In a television interview, Dolly said, "I look like a woman but I think like a man, and in this world of business that has helped me a lot, because by the time they think - that I don't know what's goin' on, I done got the money and gone."


Sometimes when I think of Dolly Parton, I remember the movie 9 To 5, starring Dolly, and Lily Tomlin and Jane Fonda.

I saw that in Boston, when it came out.

        The song "9 To 5" from the movie was played on the radio - living in Boston I listened to WBCN, which was an AOR (album-oriented rock) station - they played "9 To 5" and country music stations played it, too.


Tumble out of bed and stumble to the kitchen,

Pour myself a cup of ambition,

And yawn and stretch and try to come to life



Jump in the shower and the blood starts pumpin'

Out on the street the traffic starts jumpin'

With folks like me on the job from 9 to 5



Workin' 9 to 5,

What a way to make a livin'

Barely gettin' by 

It's all takin' and no givin'

They just use your mind 

And they never give you credit

It's enough to drive you  

Crazy if you let it



9 to 5, for service and devotion

You would think that I

Would deserve a fair promotion

Want to move ahead

But the boss wont seem to let me

I swear sometimes that man is out to get me



They let you dream

Just to watch 'em shatter

You're just a step

On the boss-man's ladder

But you got dreams

He'll never take away



You're in the same boat

With a lot of your friends

Waitin' for the day your ship'll come in

'N' the tide's gonna turn

And it's all gonna roll your way



Workin' 9 to 5

What a way to make a livin'

Barely gettin' by

It's all takin' and no givin'

They just use your mind

And you never get the credit

It's enough to drive you crazy

If you let it



9 to 5, yeah

They got you where they want you

There's a better life

And you think about it, don't you?

It's a rich man's game

No matter what they call it

And you spend your life

Puttin' money in his wallet



9 to 5, whoa

What a way to make a livin'

Barely gettin' by

It's all takin' and no givin' ...






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Monday, August 24, 2026

you're always sorry

 
[continued "spoiler alert" for Shoot The Moon - this is the last post about that last scene]

        Albert Finney, the ex-husband who gets battered at the end of the movie, is the same actor who portrayed the lawyer Julia Roberts' character worked for in Erin Brockovich.

Under one of the videos about this movie, one commenter had typed in, 

"What did I just watch?!"

        That was kind of how I felt.


In an earlier scene, one of the children is unhappy with the dad (Finney's character) and he says to the daughter, "I'm sorry."

        She points out, "You're always sorry."


Something I noticed after I went back and watched that last scene again was: before he gets in his car and drives on his path of mad destruction, he and his ex-wife are standing together, talking.  Talking about how good the tennis court is, and how we're being "grown up" about the divorce, etc.

        Her boyfriend who built the tennis court, Frank, joins them and they're all friendly, and being nice.  Making an effort.

        George compliments Frank on the tennis court - "great work."

        Frank asks George if he would like something to drink.

        Frank says he has to go and starts moving toward his car.


                And the second time watching this, I realized through the whole friendly-getting-along scene, George is looking around - over there, over here, down there... then he looks at his companions again, his ex-wife and her boyfriend, then he looks around some more.

The looking-around is easy to miss if you aren't trying to specifically spot something - I wanted to see, When did he turn from being friendly and conciliatory and peaceful, to being Crazy-Destruct-o-Monster?


...And watching it a second and third time, I came to the conclusion the guy was planning, in his mind, the whole time while pretending to get along with everyone.  He was looking around, planning where he was going to drive - first, then second, then next, and next... planning how much destruction he could perpetrate in a short period of time before he was stopped.


        I thought about that for a while.

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Sunday, August 23, 2026

anger habit

 

Albert Finney and Diana Keaton are in the above photograph from the 1982 movie, Shoot The Moon.

----------{disclaimer / alert} -------------- I'm going to talk about the ending scene of this movie, so if you think you want to watch it and be surprised, don't read this post; just check back with Blue Collar Lit. tomorrow. Thanks. ----------------------- [end of disclaimer / alert]

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I saw this movie when it first came out, in Boston. I think I went because Diane Keaton was in it, and I liked her in Annie Hall and Manhattan.

        Well, Shoot The Moon is no Woody Allen comedy - it is a drama about a couple that's getting divorced.  Critics liked it; not so much audiences.

It is very well acted and good in every way, in how it tells the story.  But it's a sad story.


The crazy thing for me was, seeing the whole movie on You Tube now, I totally did not remember at all the final, shocking scene.  (Thought maybe I was traumatized by it and it became one of those "repressed memories" or something....)


        Throughout the movie, you can see that these people truly did love each other and still do, in a way, but they just cannot get along.

        Resentment has built up over the years.  

        They have four children.

        Anyway, as the movie goes along:

the husband has a secret girlfriend

the wife finds out

they're both mad

he leaves the family home

they both hire lawyers and get on with divorce proceedings.


The wife, Faith (Diane Keaton)  has a tennis court built on the property.  The contractor she hires becomes her boyfriend.

        So then the husband George is all, like, mad because - well - he can have a girlfriend, but his ex-wife may not find love again... seems to be his attitude.


George's anger problems become apparent as the movie goes along.  He doesn't hit his wife, but he breaks some dishes, breaks a door down to get in the house, hits one of the kids.  

        Is his anger uncontrollable?  Or does he choose not to control it?  Like it's his privilege to have his way, and to throw a fit if he doesn't get it....?

After each event of anger and violence, either physical or verbal, the husband and wife at some point show love and consideration for each other again, and try to get along.


------------------------------ As the ending scene went, when George gets in his car and starts it up... I was shocked because I didn't remember that scene at. All.

There's a party going on, with lots of guests, at the family home where Faith and the four children live.  The party is outside, at night, by the tennis court.  There are lights all over, and tables of refreshments, somebody is playing some music, it's kind of relaxed and informal, people mingling.


Faith and George are talking.  Being nice.  She says he will have to come over to play tennis sometime and bring his new girlfriend (I can't remember her name).  But Diane Keaton says they're invited.  

You can tell both ex-wife and ex-husband are kind of feeling their way in the conversation, trying to create a new tradition of social friendship, since they aren't in their romantic relationship anymore and they each have a new love interest.  They are trying to "move on" and be "grown up about this."


Just trying, you know?

  

And when they say good-night and he goes and gets into his car, turns the ignition, lights on, he backs up - and starts barreling straight for some building - a barn, or garage, or large shed of some kind. 


        You think he's going to crash into the building and harm himself that way, but then he veers and starts driving all around the party area, crashing into picnic tables, and parked cars.  He doesn't look out for anyone, people are running, you see the guy with the guitar take off...  Fence around the tennis court - he drives straight into that, putting a big dent.

Then he finally crashes into something, I don't even know what it was, but a lot of stuff comes crashing down, and he and his car are buried under some of it, so the car is finally stopped.


Faith's boyfriend, then, the contractor, runs over there, fueled by anger and outrage, he starts picking up the big pieces of debris off the car and flinging them aside so he can get at George.

        He whacks the car with a chair, then throws the chair aside, hauls George out of the car and beats the hell out of him.


I was thinking there could kind of be three reasons the contractor was hitting George:

1. George was destroying the lady's property and spoiling her party

2. George destroyed the tennis court which he himself, (the contractor), had built.

and 3. to stop George from doing further damage.




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Friday, August 21, 2026

you're the one

 

pineapple-cucumber salad

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__________________________

in a bowl:  pineapple chunks or slices

on cutting board:  cucumber slices

sprinkle on the cucumber slices:  lemon pepper, and garlic-and-herb mix

put cucumbers on top of the pineapple

sprinkle over:  grated Parmesan

        enjoy


- - - I invented that.

_____________________________

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        Thinking about the Nitty Gritty Dirt Band.

        Sometime in the early 1990s I drove out to the western part of the state where I live, to attend a meeting of educators, for the association I worked for, & take notes.  At the same time, the Nitty Gritty Dirt Band was scheduled to appear in that area.


        I went to their show - it was great, and afterwards I stood in line to meet the band members and - maybe buy something, I don't know - a T-shirt?  A cassette?  It was something, and the line was kind of long, but it was moving, so I thought, What the heck, I can meet the Nitty Gritty Dirt Band members.


        Mostly you just say "Hi, great show!" and shake hands if they want to, and keep it moving, but one guy was kind of loquacious - he was sitting behind the table and he looked up at me and spoke in a friendly, outgoing manner and then told me I looked like Juliette Lewis.  

        She was an actress - I don't know if she still appears in movies, but at that time, she had been in several, including the Woody Allen film, Husbands And Wives, which I had seen.


        Of course I said, "Oh! - Thank you!" although I didn't think I looked like her, but it seemed like he was trying to give me a compliment, while "keeping it light" - like, not getting too personal.


Perhaps he told every girl she looked like some actress.

:  )


Kind of in that same time period, the Nitty Gritty Dirt Band played a show at the State Fair, which is in the town where I live.

        I was in the audience for that, and I loved it - it was great.


Afterwards, one of the band members was walking past where I was, down in the section in front of the stage - I went over and said to him I loved the concert, it was terrific, and I added, "In the 80s, I worked at a country music radio station, here, and I played so many of your songs!"  

And he said, as if he was pleasantly surprised, "Oh! - you're the one!"


In the decades since, I've heard other artists in - music, movies, book-writers, etc. - when someone says to them, 

I just bought your book,

or 

I have all your albums,

or 

whatever - they say, "Oh, you're the one!"

...being gracious, and humorous, and humble.


So - that's a thing, in the entertainment business.


        Of course, in the early 1990s when the Nitty Gritty Dirt Band guy said it to me, I thought he had just come up with that on the spur of the moment.... LOL



Juliette Lewis; Woody Allen, in the 1992 film Husbands And Wives

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