Wednesday, December 14, 2022

photographs and memories

 

photograph of Meryl Streep, by David Bailey


--------------------- [excerpt from Jerry Hall:  My life in pictures -- Quadrille, 2010] -------------------------


David Bailey:  A Lifelong Friend


David Bailey is the most wonderful photographer to work with.  

We have had so many good times, producing such glorious photographs together.  

His sharp, pared down, tightly cropped and gritty monochrome images transform his sitters into heroic figures.  

He gave me a shot he had taken of Bob Dylan which is one of my favourite photographs of all time.  And I have always loved the photos he has taken of me.     



        One of the things I love most about Bailey is his integrity.  If he doesn't feel inspired by a job, he turns it down -- no matter how much money is on offer.  

Bailey has dyslexia and, while not always adept at articulating his thoughts verbally, he is a visual genius.  He left school at 15 and learned his art by becoming a photographer's assistant, and by his early twenties he was taking pictures for Vogue.  

        Because he works so instinctively, clients have to trust him and let him do his job -- and he always produces stunning photographs....



        One of the most memorable shoots Bailey and I did together was for French Vogue, in the south of France.  We went with the great artist and photographer Jacques Henri Lartigue, who was then in his late eighties.  

        Lartigue had been famous in his youth for his images of the privileged world of France at the turn of the century.  

His photographs of horse drawn carriages, early automobiles and glamorous women and their friends had really captured an era.



        He had been re-discovered in his seventies in New York and had started working for Vogue.  When I met him he was an adorable smiling, white haired gentleman who took snaps of me while Bailey photographed us both.  Later I called his wife begging for one of those photos, but she told me that sadly they hadn't come out well.  I'd have loved to have seen them.


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Tuesday, December 13, 2022

in the middle of all that success

 


I really like Jerry Hall's book.

I can't stop discussing it.

I really like it.

Why?

I don't know, for sure.

        When I read a passage in it (and look at the photographs), it's like a trip around the world.


--------------------------- I really like it when she has a series of pages where, on each page, there will be a description of a photographer and her time working with him -- like the guy who photographed her in the museum in France.  And a picture.


November 29 -- Richard Avedon, with his moving feast of light

December 2 -- Horst!

December 6 -- Gunter Sachs

December 7 -- Hiro

December 8 -- Bill King


------------------- [excerpt from the book] --------------- It was a lot of fun being on tour -- travelling with the boys, sharing their after-show tales and jokes, sitting in the private plane after a successful show, feeling a common bond.  

It was like being part of a big family.  


But it was also hard work; all the travelling was physically and mentally exhausting.  And the groupies were really irritating.  

        Girls would sneak into the hotels and get backstage and throw themselves at the band.  I had to watch out for them -- they were ruthless and would do anything to get noticed!  Often they would have sex with the security men just to get backstage passes.



        By 1979 Mick and I had settled into New York living.  We rented a lovely home and had great friends, but Mick wasn't touring and had too much time on his hands.  He started going out a lot without me.  He would say he had a meeting and then call to say it was running late.  

He had been linked with several girls in the gossip columns, but he denied it all, of course.


        During this time I modelled for the big American designers such as Bill Blass and Oscar de La Renta.  Oscar took me on trips to do fashion shows all over America and a couple of times to Japan.  

Being in the middle of all that success was like being in the eye of the storm.  


The phone rang constantly, as did the doorbell.  I always had to answer it because Mick wouldn't -- he was usually watching cricket on TV.


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Thursday, December 8, 2022

Linda Evangelista, Rene Russo, Jerry Hall

 




---------------------- [Jerry Hall:  My life in pictures.  Quadrille -- 2010.]


Bill King


Bill was pretty mad.

He always wanted high energy and lots of action on his shoots, and he used to have wind machines and an assistant with a plastic water spray.


He'd put on two wind machines and spritz you and shout 'jump, jump, more, more, more'.  It was exhausting -- you really had to be in top shape with him.  Because of his style there was a kind of looniness in his pictures.  You didn't always look that great because you'd be kind of leaping across the page.


        His look was all about energy and movement.  He was fun, quite wild, a bit of a party boy.  I enjoyed working with him and he booked me a lot, we had a great time together.  He loved gossiping, just like Scavullo.


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Wednesday, December 7, 2022

on the sand by the sea

 




------------------ [Jerry Hall:  My life in pictures.  Quadrille -- 2010.] --------------------------


Hiro


Hiro was a great artist, and a lovely man who had started out as Avedon's assistant and we worked together a lot along with the Japanese hairdresser Suga, who always worked with him.


Everything about the way Hiro worked reflected his Japanese culture.  His studio was incredibly organised and minimalist, and his work was very technical and beautifully crafted.  His assistants didn't have anything to do but hand him something because he knew all the technicalities and he prepared it all himself.

        He had a lovely personality; sweet, gentle and very giggly.


I'm surprised he's not more celebrated as he took such wonderful pictures -- elegant, clean, with startling colour and often with unexpected elements.


        We went to the Caribbean island of St. Martin to do a campaign for the Japanese designer Hanae Mori, where Hiro took this incredible photo of me, using a camera lens that NASA had developed.

        It was a huge close-up of my head, as I lay on the sand by the sea, looking like a giant sculpture from Easter Island.


        There was no retouching then, and only someone of 18 could get away with having their pores magnified like that!  It was later used as a poster and in a calendar.


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Tuesday, December 6, 2022

"no" in six languages

 

artwork by Gunter Sachs


---------------------- [excerpt from Jerry Hall:  My life in pictures.  Quadrille - 2010] --------------------------


Gunter Sachs


Gunter was a famous photographer who was also an economist, a mathematician and an industrialist.  


He had been married to Brigitte Bardot and had quite a reputation as a ladies' man, but when I went to stay with him and his wife Mirja in Saint-Tropez I found a polite, charming guy.  

        His wife was lovely, they had little children and it was all very normal.  


I was booked to do a shoot with him but I wouldn't go topless, so all the other girls in the photo are topless, and I've got my hands and hair covering myself.  He took the shot in his house on the beach where he had a giant chessboard made out of stones.


        Every photographer wanted you to do topless shots, it was a constant battle.  Most of the time I said no.  My mother had warned me not to do nude shots, but I wasn't just being modest -- in those days if you were working for Vogue, which was the pinnacle of every model's career, they wouldn't work with you if you had pictures in Playboy.  

High fashion and soft porn just didn't mix, so I was always careful.


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Monday, December 5, 2022

the one where Chandler writes a book

 


Matthew Perry (Chandler on Friends) recently had a memoir published, that gives the story of his life, and also discussing his addiction issues.

        He has been telling interviewers he wrote the book to help other people who struggle with addiction.


        Some Internet commenters complain that he "made bad choices" and then wants to get even richer by selling a book about it.


        I came across his book on Audible, where he himself is reading it aloud -- it's on YouTube, for free.


        So then -- having it free on You Tube takes away the criticism that he's just trying to make even more money, with this project.

        Then some commenters under the You Tube book were yelling -- "this is stealing from Matthew Perry!  It's wrong to have this on You Tube!"

        LOL, someone's always caterwauling in the comment sections, no matter what you do.


        Another comment there said what I was thinking:  Matthew Perry must have a lawyer and an I-T and an assistant and a veritable "army" of people, some of whom cover the Internet daily and "block" anything on there that belongs to Mr. Perry, if he doesn't want it to be out there for free.

        I think that book sitting there on You Tube proves he wrote it with the first priority being to help other people.


-------------------- Book-people will still buy the book.  And there are people who never go on You Tube.  So it isn't such a "threat," imo.

_______________________________


Meanwhile, I listened to most of it while doing chores -- it was interesting!  I had to skip over parts where he described some of the severe symptoms and hospital treatments.  Can't do it.  And the drug stuff, I kind of understood and kind of didn't -- if these drugs like Zanax and Vicadin cause such horrible effects, why do doctors prescribe them?  This doesn't make sense to me.


I sort of have a prejudice, or stereotype, when it comes to doctors and other professionals.  The top part of my brain can know that these are just people, and some of them may be corrupt.

        But an intense and immovable belief, in the back of my brain, tells me doctors, lawyers, priests, teachers, etc., cannot be corrupt, they have to do the right thing.

        (I guess maybe I need to work on my brain, or my belief systems and assumptions....)


In the book Matthew also talks about the entertainment business and how some of it works.  That part I was really interested in.

        He mentions several times having a lunch-meeting, or dinner-meeting, with Bruce Willis or some other major star -- they go to an expensive restaurant and order food and never eat any of it.

        They have their conversation and then they leave.


They should box up that food and take to a food bank, or ask the restaurant people to do it.

        (Actors can be imperfect??  Aaaauuuugggghhhh!!!!)


I got to thinking, if they're not going to eat a meal, why go to a restaurant?  Meet at each other's houses, or sit on the front stoop, and have bottled water.  Don't worry about food, and save money.


        But then I remembered Matthew Perry mentions in his narration of his book, that when they go to these expensive and trendy restaurants, at the door there will be a gaggle of "paparazzi" to take their pictures.  So I guess they want that.

        (Some of the paparazzi should take photographs of all the food those guys waste.)


He also writes / talks about what kind of stories work in the TV business, and what kind of stories don't work.  Except there are no rules.  A lot of it is luck.  You can't always tell what is going to be popular at any given moment.


        Apparently when you work on an Aaron Sorkin (Charlie Wilson's War) project, you cannot change one word, or one contraction -- if script says, "He is going to be late" and the actor says it as, "He's going to be late" they have to shoot it over again.  And Mr. Sorkin doesn't like to hear any ideas from actors.


        MP was accustomed to more of a collaborative environment at Friends.


Perry uses the "Shakespeare" example when describing how you have to say the exact words, exactly as they are in the script, when working with Sorkin -- Matthew Perry says, "like it's Shakespeare or something."

        That's a familiar expression -- I've heard some other actor say the same thing, or maybe I read it....


Back in Shakespeare's time over in England, I wonder if they would be rehearsing a play and one of the actors would get impatient and grumble to William Shakespeare, "Come on, man!  Like it's Shakespeare or something...!"


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Friday, December 2, 2022

"you'll see things in a different way"

 

Rodin Museum

     (Urban Sketchers)


--------------- [excerpt from Jerry Hall, My life in pictures.  Quadrille Publishing.  2010] --------------------------


Horst


Horst was a German-American photographer who had taken some extraordinary photos of celebrities as far back as the thirties.  


When I worked with him he was in his seventies and working for American Vogue.  


His style was very arty and surrealist, I thought it was beautiful and I did quite a lot of work with him.  

Horst liked natural light and tungsten light; he was an old-time photographer who took very stylized black-and-white, graphic photographs.  


He was a charming man who was polite and thoughtful, entertaining and very knowledgeable.  

He loved to use a classical setting and one of my favourite photographic sessions with him was at the Rodin museum in Paris, where he pictured me alongside the stunning marble sculptures.


__________________________________

♫♪ ♪♫

If you wake up and don't want to smile

If it takes just a little while

Open your eyes and look at the day

You'll see things in a different way



Don't stop thinking about tomorrow

Don't stop, it'll soon be here

It'll be here, better than before

Yesterday's gone, yesterday's gone



Why not think about times to come?

And not about the things that you've done

If your life was bad to you,

Just think what tomorrow will do



Don't stop thinking about tomorrow

Don't stop, it'll soon be here

It'll be here -- better than before

Yesterday's gone, yesterday's gone



All I want is to see you smile

If it takes just a little while

I know you don't believe that it's true

I never meant any harm to you



Don't stop thinking about tomorrow

Don't stop, it'll soon be here

It'll be here, better than before

Yesterday's gone, yesterday's gone



Don't - stop - thinkin' about tomorrow

Don't stop, it'll soon be here

It'll be here, better than before

Yesterday's gone, yesterday's gone



Don't you look back

(Ooh)

Don't you look back

(Ooh)

Don't you look back

_____________________________________

{"Don't Stop," song written by Christine McVie, recorded by Fleetwood Mac, Rumours album, 1977}


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