whisperings - champagne - stars

Here I was, in recent posts, typing merrily along from Fitzgerald's The Great Gatsby, completely unaware until today that Hollywood is making (another) film of the novel.  Due out Christmas.

I saw the one with Robert Redford and Mia Farrow (and Sam Waterston -- later of L & O fame -- playing the part of the first-person narrator, Nick Carraway).  It was the summer between freshman and sophomore year in high school.  Seeing the movie, and planning to read the book, I felt grown-up, and sophisticatedly world-weary.  In a good way.

Google the new film and the 1974 one, and the reader can see that film projects of this book attract "heavy-hitters," Hollywood-wise, & writer-wise.
(the 1974 film:  original screenwriter -- Truman Capote ...
but replaced by Francis Ford Coppola - !!
with some scenes re-written first by --
Vladimir Nabokov,
Philip Roth,
and
Thomas Pynchon....it's like, "Well ex-cuuuuuuuse me!!...

...lotta firepower...)

----------------- [Gatsby excerpt, Chapter III]---------------------There was music from my neighbor's house through the summer nights.  In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.  At high tide in the afternoon I watched his guests diving from the tower of his raft or taking the sun on the hot sand of his beach while his two motor boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam.  On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city, between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains.  And on Mondays eight servants including an extra gardener toiled all day with mops and scrubbing-brushes and hammers and garden shears, repairing the ravages of the night before.

Every Friday five crates of oranges and lemons arrived from a fruiterer in New York -- every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves.  There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour, if a little button was pressed two hundred times by a butler's thumb.

At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden.  On buffet tables, garnished with glistening hors d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold.  In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.

By seven o'clock the orchestra has arrived -- no thin five piece affair but a whole pit full of oboes and trombones and saxophones and viols and cornets and piccolos and low and high drums.  The last swimmers have come in from the beach now and are dressing upstairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors and hair shorn in strange new ways and shawls beyond the dreams of Castile.  The bar is in full swing and floating rounds of cocktails permeate the garden outside until the air is alive with chatter and laughter and casual innuendo and introductions forgotten on the spot and enthusiastic meetings between women who never knew each other's names.

The lights grow brighter as the earth lurches away from the sun and now the orchestra is playing yellow cocktail music and the opera of voices pitches a key higher.  Laughter is easier, minute by minute, spilled with prodigality, tipped out at a cheerful word.  The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath -- already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the center of a group and then excited with triumph glide on through the sea-change of faces and voices and color under the constantly changing light.

Suddenly one of these gypsies in trembling opal seizes a cocktail out of the air, dumps it down for courage and moving her hands like Frisco dances out alone on the canvas platform.  A momentary hush; the orchestra leader varies his rhythm obligingly for her and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the "Follies."  The party has begun.

I believe that on the first night I went to Gatsby's house I was one of the few guests who had actually been invited.  People were not invited -- they went there.  They got into automobiles which bore them out to Long Island and somehow they ended up at Gatsby's door.  Once there they were introduced by somebody who knew Gatsby and after that they conducted themselves according to the rules of behavior associated with amusement parks.  Sometimes they came and went without having met Gatsby at all, came for the party with a simplicity of heart that was its own ticket of admission.

I had been actually invited.  A chauffeur in a uniform of robin's egg blue crossed my lawn early that Saturday morning with a surprisingly formal note from his employer -- the honor would be entirely Gatsby's, it said, if I would attend his "little party" that night.  He had seen me several times and had intended to call on me long before but a peculiar combination of circumstances had prevented it -- signed Jay Gatsby in a majestic hand.

Dressed up in white flannels I went over to his lawn a little after seven and wandered around rather ill-at-ease among swirls and eddies of peple I didn't know -- though here and there was a face I had noticed on the commuting train.  I was immediately struck by the number of young Englishmen dotted about; all well dressed, all looking a little hungry and all talking in low earnest voices to solid and prosperous Americans.  I was sure that they were all selling something:  bonds or insurance or automobiles.  They were, at least, agonizingly aware of the easy money in the vicinity and convinced that it was theirs for a few words in the right key.

As soon as I arrived I made an attempt to find my host but the two or three people of whom I asked his whereabouts stared at me in such an amazed way and denied so vehemently any knowledge of his movements that I slunk off in the direction of the cocktail table -- the only place in the garden where a single man could linger without looking purposeless and alone.

I was on my way to get roaring drunk from sheer embarrassment when Jordan Baker came out of the house and stood at the head of the marble steps, leaning a little backward and looking with contemptuous interest down into the garden.

Welcome or not, I found it necessary to attach myself to someone before I should begin to address cordial remarks to the passers-by.

"Hello!" I roared, advancing toward her.  My voice seemed unnaturally loud across the garden.

"I thought you might be here," she responded absently as I came up.  "I remembered you lived next door to ---"

She held my hand impersonally, as a promise that she'd take care of me in a minute, and gave ear to two girls in twin yellow dresses who stopped at the foot of the steps.

"Hello!" they cried together.  "Sorry you didn't win."

That was for the golf tournament.  She had lost in the finals the week before.

"You don't know who we are," said one of the girls in yellow, "but we met you here about a month ago."

"You've dyed your hair since then," remarked Jordan and I started but the girls had moved casually on and her remark was addressed to the premature moon, produced like the supper, no doubt, out of a caterer's basket.  With Jordan's slender golden arm resting in mine we descended the steps and sauntered about the garden.  A tray of cocktails floated at us through the twilight and we sat down at a table with the two girls in yellow and three men, each one introduced to us as Mr. Mumble.

----------------------------------------[end excerpt]
{The Great Gatsby, by F. Scott Fitzgerald.
Copyright, 1925.  Charles Scribner's Sons.}

Noticed something -- the first three paragraphs here are in the past tense:
"There was music from my neighbor's house..."
"Every Friday five crates of oranges and lemons arrived from a fruiterer in New York..."
"At least once a fortnight a corps of caterers came down..."
------------------ and then in the fourth paragraph, Fitzgerald shifts gears into the present tense:   "By seven o'clock the orchestra has arrived..." -- (HAS arrived) -- and keeps it present tense for the next two paragraphs...
"The lights grow brighter as the earth lurches away from the sun..."
"Suddenly one of these gypsies in trembling opal seizes a cocktail out of the air..."

In the paragraph after that, the author shifts back to past tense, relaxing, reminiscing....for those three paragraphs of Present Tense, he got more intense with us, the readers -- like someone who's telling you a story and suddenly leans forward over his knees, or across a table, and gets intense for three paragraphs....

If I was reading that, and not typing it out, would not have noticed that nuance.

-30-