Then you get just the two minutes or so of music that introduces the movie and sets a mood for it.
North By Northwest, opening credits
Psycho, opening credits
Taxi Driver, opening credits.
Sometimes they say "opening titles" instead of credits -- it's OK, the videos will come up.
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If you watch these in the order suggested above, you're seeing them in chronological order, according to the year each film came out:
1959
1960
1976.
2 Hitchcock films, followed by a Martin Scorsese film.
The two Hitchcock ones, North By Northwest, and Psycho, have similar music, promising suspense and action -- (Watch out!)
Herrmann's music for Taxi Driver is different -- more like the beguiling invitation of nightclub jazz -- meandering and ambivalent, curling like a cat's tail. (It reminds me of the music for Body Heat, which was done by British composer John Barry.)
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Besides sound, the visuals are interesting to study here, too.
Again, we would probably separate Taxi Driver from the other two. Taxi Driver's opening-credits visuals are streets of New York City in the '70s, cars driving at night, steam, smoke, rain. It's strictly a mood. Film footage, no graphics.
Psycho and North By Northwest both have insistent, riveting graphics behind the opening credits -- racing, working in tandem with the music, establishing the atmosphere before the story has even started.
The graphic designer responsible for both of these title sequences is Saul Bass (1920 - 1996).
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