RAYMOND CHANDLER SENTENCES AND PARAGRAPHS
I went up to the office and into the little reception room. There were two of them this time, Carol Pride and a blonde. A blonde with black eyes. A blonde to make a bishop kick a hole in a stained-glass window.
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"I kissed you in that ambulance," she said. "If you remember, don't take it too big. I was just sorry for the way you got your head bashed in."
"I'm a career man," I said. "I wouldn't build on anything like that. Let's go riding. I have to see a blonde in Beverly Hills. I owe her a report."
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I was breaking a new pair of shoes in on my desk that morning when Violets M'Gee called me up. It was a dull, hot, damp August day and you couldn't keep your neck dry with a bath towel.
"How's the boy?" Violets began, as usual. "No business in a week, huh? There's a guy named Howard Melton over in the Avenant Building lost track of his wife. He's district manager for the Doreme Cosmetic Company. He don't want to give it to Missing Persons for some reason. The boss knows him a little. Better get over there, and take your shoes off before you go in. It's a pretty snooty outfit."
Violets M'Gee is a homicide dick in the sheriff's office, and if it wasn't for all the charity jobs he gives me, I might be able to make a living. This looked a little different, so I put my feet on the floor and swabbed the back of my neck again and went over there.
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I saw the big guy standing in front of Shamey's....He was looking up at the broken stencils in the electric sign, with a sort of rapt expression, like a hunky immigrant looking at the Statue of Liberty, like a man who had waited a long time and come a long way.
[Like The Great Gatsby: "He had come a long way to this blue lawn..."]
[excerpts from stories in Trouble Is My Business collection. Vintage Books, Random House, New York]
Raymond Chandler, in the Introduction:
Possibly it was the smell of fear which these stories managed to generate. Their characters lived in a world gone wrong, a world in which, long before the atom bomb, civilization had created the machinery for its own destruction, and was learning to use it with all the moronic delight of a gangster trying out his first machine gun. The law was something to be manipulated for profit and power. The streets were dark with something more than night.
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He wrote that in 1950. The stories were written mostly in the 1930s, and maybe 40s, I think.
-30-
Friday, January 6, 2012
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